Come in!
I've been curating my household of oddities, antiques, and collectibles — largely from my job at an auction house in San Francisco, and also fed by my love of local sales and thrifting. I think my finds add a charm to my home that was otherwise missing.
This is my house, where I keep all my Things and make my art.
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"Our space is great. There aren't really many challenges with the structure of it." Says the girl who built a bed in a closet. That's just the first reason you'll love this home tour.
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My friend Rachel spends a lot of time fantasizing about houses. And stalking houses. She sent me this week's Offbeat Real Estate dreamboat: an "artistic" house in Idaho, now up for sale or trade. It's off the grid, a 1/2 mile from the road, and three floors on 12 acres — with the middle floor set up as a tile cutting/stained glass studio, it's perfect for someone who needs to get away and work for a while.
Imagining yourself in this home takes some work — the owner has a love of using flash and therefore, taking really unappealing photos. It's okay. I'll help you fantasize.
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It was 1975 and my parents' "back to the land" impulses were in full swing. Although they had an infant (me) and were a geography professor and a nursing student (him, her) with no experience in construction or building (any of us), they decided to build a log cabin on Bainbridge Island, WA. My father, ever the researcher, read a bunch of books about the subject, and March of 1976 they broke ground on the 1000 square foot cabin I grew up in.
In 2011, I temporarily moved back in.
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Hardwood factory floors, hugely-high ceilings and 18-foot windows set the stage for Dee and Nathan's home/pop-up vintage shop. Come in a take a tour of their loft, covet their art and scope Dee's lunchbox collection/filing system.
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Six months of living in an industrial loft in 1999 soured me so deeply on everything urban, I fled the city completely and moved an hour south of Seattle to Olympia, WA. This is in commemoration of the amazing house we rented.
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Sarah and Tyler built a teeny tiny straw bale cabin — only 450 square feet. By working with intent in mind, the space looks big, airy, and very utilitarian. What can we learn from their kitchen's vertical planning?
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